* The {@code Sequencer} interface includes methods for the following basic MIDI * sequencer operations: *
* This method can be called even if the {@code Sequencer} is closed. * * @param sequence the sequence to be loaded * @throws InvalidMidiDataException if the sequence contains invalid MIDI * data, or is not supported */ void setSequence(Sequence sequence) throws InvalidMidiDataException; /** * Sets the current sequence on which the sequencer operates. The stream * must point to MIDI file data. *
* This method can be called even if the {@code Sequencer} is closed. * * @param stream stream containing MIDI file data * @throws IOException if an I/O exception occurs during reading of the * stream * @throws InvalidMidiDataException if invalid data is encountered in the * stream, or the stream is not supported */ void setSequence(InputStream stream) throws IOException, InvalidMidiDataException; /** * Obtains the sequence on which the Sequencer is currently operating. *
* This method can be called even if the {@code Sequencer} is closed. * * @return the current sequence, or {@code null} if no sequence is currently * set */ Sequence getSequence(); /** * Starts playback of the MIDI data in the currently loaded sequence. * Playback will begin from the current position. If the playback position * reaches the loop end point, and the loop count is greater than 0, * playback will resume at the loop start point for the number of * repetitions set with {@code setLoopCount}. After that, or if the loop * count is 0, playback will continue to play to the end of the sequence. *
* The implementation ensures that the synthesizer is brought to a * consistent state when jumping to the loop start point by sending * appropriate controllers, pitch bend, and program change events. * * @throws IllegalStateException if the {@code Sequencer} is closed * @see #setLoopStartPoint * @see #setLoopEndPoint * @see #setLoopCount * @see #stop */ void start(); /** * Stops recording, if active, and playback of the currently loaded * sequence, if any. * * @throws IllegalStateException if the {@code Sequencer} is closed * @see #start * @see #isRunning */ void stop(); /** * Indicates whether the Sequencer is currently running. The default is * {@code false}. The Sequencer starts running when either{@link #start} or * {@link #startRecording} is called. {@code isRunning} then returns * {@code true} until playback of the sequence completes or {@link #stop} is * called. * * @return {@code true} if the Sequencer is running, otherwise {@code false} */ boolean isRunning(); /** * Starts recording and playback of MIDI data. Data is recorded to all * enabled tracks, on the channel(s) for which they were enabled. Recording * begins at the current position of the sequencer. Any events already in * the track are overwritten for the duration of the recording session. * Events from the currently loaded sequence, if any, are delivered to the * sequencer's transmitter(s) along with messages received during recording. *
* Note that tracks are not by default enabled for recording. In order to * record MIDI data, at least one track must be specifically enabled for * recording. * * @throws IllegalStateException if the {@code Sequencer} is closed * @see #recordEnable * @see #recordDisable */ void startRecording(); /** * Stops recording, if active. Playback of the current sequence continues. * * @throws IllegalStateException if the {@code Sequencer} is closed * @see #startRecording * @see #isRecording */ void stopRecording(); /** * Indicates whether the Sequencer is currently recording. The default is * {@code false}. The Sequencer begins recording when * {@link #startRecording} is called, and then returns {@code true} until * {@link #stop} or {@link #stopRecording} is called. * * @return {@code true} if the Sequencer is recording, otherwise * {@code false} */ boolean isRecording(); /** * Prepares the specified track for recording events received on a * particular channel. Once enabled, a track will receive events when * recording is active. * * @param track the track to which events will be recorded * @param channel the channel on which events will be received. If -1 is * specified for the channel value, the track will receive data from * all channels. * @throws IllegalArgumentException thrown if the track is not part of the * current sequence */ void recordEnable(Track track, int channel); /** * Disables recording to the specified track. Events will no longer be * recorded into this track. * * @param track the track to disable for recording, or {@code null} to * disable recording for all tracks */ void recordDisable(Track track); /** * Obtains the current tempo, expressed in beats per minute. The actual * tempo of playback is the product of the returned value and the tempo * factor. * * @return the current tempo in beats per minute * @see #getTempoFactor * @see #setTempoInBPM(float) * @see #getTempoInMPQ */ float getTempoInBPM(); /** * Sets the tempo in beats per minute. The actual tempo of playback is the * product of the specified value and the tempo factor. * * @param bpm desired new tempo in beats per minute * @see #getTempoFactor * @see #setTempoInMPQ(float) * @see #getTempoInBPM */ void setTempoInBPM(float bpm); /** * Obtains the current tempo, expressed in microseconds per quarter note. * The actual tempo of playback is the product of the returned value and the * tempo factor. * * @return the current tempo in microseconds per quarter note * @see #getTempoFactor * @see #setTempoInMPQ(float) * @see #getTempoInBPM */ float getTempoInMPQ(); /** * Sets the tempo in microseconds per quarter note. The actual tempo of * playback is the product of the specified value and the tempo factor. * * @param mpq desired new tempo in microseconds per quarter note * @see #getTempoFactor * @see #setTempoInBPM(float) * @see #getTempoInMPQ */ void setTempoInMPQ(float mpq); /** * Scales the sequencer's actual playback tempo by the factor provided. The * default is 1.0. A value of 1.0 represents the natural rate (the tempo * specified in the sequence), 2.0 means twice as fast, etc. The tempo * factor does not affect the values returned by {@link #getTempoInMPQ} and * {@link #getTempoInBPM}. Those values indicate the tempo prior to scaling. *
* Note that the tempo factor cannot be adjusted when external * synchronization is used. In that situation, {@code setTempoFactor} always * sets the tempo factor to 1.0. * * @param factor the requested tempo scalar * @see #getTempoFactor */ void setTempoFactor(float factor); /** * Returns the current tempo factor for the sequencer. The default is 1.0. * * @return tempo factor * @see #setTempoFactor(float) */ float getTempoFactor(); /** * Obtains the length of the current sequence, expressed in MIDI ticks, or 0 * if no sequence is set. * * @return length of the sequence in ticks */ long getTickLength(); /** * Obtains the current position in the sequence, expressed in MIDI ticks. * (The duration of a tick in seconds is determined both by the tempo and by * the timing resolution stored in the {@link Sequence}.) * * @return current tick * @see #setTickPosition */ long getTickPosition(); /** * Sets the current sequencer position in MIDI ticks. * * @param tick the desired tick position * @see #getTickPosition */ void setTickPosition(long tick); /** * Obtains the length of the current sequence, expressed in microseconds, or * 0 if no sequence is set. * * @return length of the sequence in microseconds */ long getMicrosecondLength(); /** * Obtains the current position in the sequence, expressed in microseconds. * * @return the current position in microseconds * @see #setMicrosecondPosition */ @Override long getMicrosecondPosition(); /** * Sets the current position in the sequence, expressed in microseconds. * * @param microseconds desired position in microseconds * @see #getMicrosecondPosition */ void setMicrosecondPosition(long microseconds); /** * Sets the source of timing information used by this sequencer. The * sequencer synchronizes to the master, which is the internal clock, MIDI * clock, or MIDI time code, depending on the value of {@code sync}. The * {@code sync} argument must be one of the supported modes, as returned by * {@link #getMasterSyncModes}. * * @param sync the desired master synchronization mode * @see SyncMode#INTERNAL_CLOCK * @see SyncMode#MIDI_SYNC * @see SyncMode#MIDI_TIME_CODE * @see #getMasterSyncMode */ void setMasterSyncMode(SyncMode sync); /** * Obtains the current master synchronization mode for this sequencer. * * @return the current master synchronization mode * @see #setMasterSyncMode(SyncMode) * @see #getMasterSyncModes */ SyncMode getMasterSyncMode(); /** * Obtains the set of master synchronization modes supported by this * sequencer. * * @return the available master synchronization modes * @see SyncMode#INTERNAL_CLOCK * @see SyncMode#MIDI_SYNC * @see SyncMode#MIDI_TIME_CODE * @see #getMasterSyncMode * @see #setMasterSyncMode(SyncMode) */ SyncMode[] getMasterSyncModes(); /** * Sets the slave synchronization mode for the sequencer. This indicates the * type of timing information sent by the sequencer to its receiver. The * {@code sync} argument must be one of the supported modes, as returned by * {@link #getSlaveSyncModes}. * * @param sync the desired slave synchronization mode * @see SyncMode#MIDI_SYNC * @see SyncMode#MIDI_TIME_CODE * @see SyncMode#NO_SYNC * @see #getSlaveSyncModes */ void setSlaveSyncMode(SyncMode sync); /** * Obtains the current slave synchronization mode for this sequencer. * * @return the current slave synchronization mode * @see #setSlaveSyncMode(SyncMode) * @see #getSlaveSyncModes */ SyncMode getSlaveSyncMode(); /** * Obtains the set of slave synchronization modes supported by the * sequencer. * * @return the available slave synchronization modes * @see SyncMode#MIDI_SYNC * @see SyncMode#MIDI_TIME_CODE * @see SyncMode#NO_SYNC */ SyncMode[] getSlaveSyncModes(); /** * Sets the mute state for a track. This method may fail for a number of * reasons. For example, the track number specified may not be valid for the * current sequence, or the sequencer may not support this functionality. An * application which needs to verify whether this operation succeeded should * follow this call with a call to {@link #getTrackMute}. * * @param track the track number. Tracks in the current sequence are * numbered from 0 to the number of tracks in the sequence minus 1. * @param mute the new mute state for the track. {@code true} implies the * track should be muted, {@code false} implies the track should be * unmuted. * @see #getSequence */ void setTrackMute(int track, boolean mute); /** * Obtains the current mute state for a track. The default mute state for * all tracks which have not been muted is false. In any case where the * specified track has not been muted, this method should return false. This * applies if the sequencer does not support muting of tracks, and if the * specified track index is not valid. * * @param track the track number. Tracks in the current sequence are * numbered from 0 to the number of tracks in the sequence minus 1. * @return {@code true} if muted, {@code false} if not */ boolean getTrackMute(int track); /** * Sets the solo state for a track. If {@code solo} is {@code true} only * this track and other solo'd tracks will sound. If {@code solo} is * {@code false} then only other solo'd tracks will sound, unless no tracks * are solo'd in which case all un-muted tracks will sound. *
* This method may fail for a number of reasons. For example, the track * number specified may not be valid for the current sequence, or the * sequencer may not support this functionality. An application which needs * to verify whether this operation succeeded should follow this call with a * call to {@link #getTrackSolo}. * * @param track the track number. Tracks in the current sequence are * numbered from 0 to the number of tracks in the sequence minus 1. * @param solo the new solo state for the track. {@code true} implies the * track should be solo'd, {@code false} implies the track should * not be solo'd. * @see #getSequence */ void setTrackSolo(int track, boolean solo); /** * Obtains the current solo state for a track. The default mute state for * all tracks which have not been solo'd is false. In any case where the * specified track has not been solo'd, this method should return false. * This applies if the sequencer does not support soloing of tracks, and if * the specified track index is not valid. * * @param track the track number. Tracks in the current sequence are * numbered from 0 to the number of tracks in the sequence minus 1. * @return {@code true} if solo'd, {@code false} if not */ boolean getTrackSolo(int track); /** * Registers a meta-event listener to receive notification whenever a * meta-event is encountered in the sequence and processed by the sequencer. * This method can fail if, for instance,this class of sequencer does not * support meta-event notification. * * @param listener listener to add * @return {@code true} if the listener was successfully added, otherwise * {@code false} * @see #removeMetaEventListener * @see MetaEventListener * @see MetaMessage */ boolean addMetaEventListener(MetaEventListener listener); /** * Removes the specified meta-event listener from this sequencer's list of * registered listeners, if in fact the listener is registered. * * @param listener the meta-event listener to remove * @see #addMetaEventListener */ void removeMetaEventListener(MetaEventListener listener); /** * Registers a controller event listener to receive notification whenever * the sequencer processes a control-change event of the requested type or * types. The types are specified by the {@code controllers} argument, which * should contain an array of MIDI controller numbers. (Each number should * be between 0 and 127, inclusive. See the MIDI 1.0 Specification for the * numbers that correspond to various types of controllers.) *
* The returned array contains the MIDI controller numbers for which the * listener will now receive events. Some sequencers might not support * controller event notification, in which case the array has a length of 0. * Other sequencers might support notification for some controllers but not * all. This method may be invoked repeatedly. Each time, the returned array * indicates all the controllers that the listener will be notified about, * not only the controllers requested in that particular invocation. * * @param listener the controller event listener to add to the list of * registered listeners * @param controllers the MIDI controller numbers for which change * notification is requested * @return the numbers of all the MIDI controllers whose changes will now be * reported to the specified listener * @see #removeControllerEventListener * @see ControllerEventListener */ int[] addControllerEventListener(ControllerEventListener listener, int[] controllers); /** * Removes a controller event listener's interest in one or more types of * controller event. The {@code controllers} argument is an array of MIDI * numbers corresponding to the controllers for which the listener should no * longer receive change notifications. To completely remove this listener * from the list of registered listeners, pass in {@code null} for * {@code controllers}. The returned array contains the MIDI controller * numbers for which the listener will now receive events. The array has a * length of 0 if the listener will not receive change notifications for any * controllers. * * @param listener old listener * @param controllers the MIDI controller numbers for which change * notification should be cancelled, or {@code null} to cancel for * all controllers * @return the numbers of all the MIDI controllers whose changes will now be * reported to the specified listener * @see #addControllerEventListener */ int[] removeControllerEventListener(ControllerEventListener listener, int[] controllers); /** * Sets the first MIDI tick that will be played in the loop. If the loop * count is greater than 0, playback will jump to this point when reaching * the loop end point. *
* A value of 0 for the starting point means the beginning of the loaded * sequence. The starting point must be lower than or equal to the ending * point, and it must fall within the size of the loaded sequence. *
* A sequencer's loop start point defaults to start of the sequence. * * @param tick the loop's starting position, in MIDI ticks (zero-based) * @throws IllegalArgumentException if the requested loop start point cannot * be set, usually because it falls outside the sequence's duration * or because the start point is after the end point * @see #setLoopEndPoint * @see #setLoopCount * @see #getLoopStartPoint * @see #start * @since 1.5 */ void setLoopStartPoint(long tick); /** * Obtains the start position of the loop, in MIDI ticks. * * @return the start position of the loop, in MIDI ticks (zero-based) * @see #setLoopStartPoint * @since 1.5 */ long getLoopStartPoint(); /** * Sets the last MIDI tick that will be played in the loop. If the loop * count is 0, the loop end point has no effect and playback continues to * play when reaching the loop end point. *
* A value of -1 for the ending point indicates the last tick of the * sequence. Otherwise, the ending point must be greater than or equal to * the starting point, and it must fall within the size of the loaded * sequence. *
* A sequencer's loop end point defaults to -1, meaning the end of the * sequence. * * @param tick the loop's ending position, in MIDI ticks (zero-based), or * -1 to indicate the final tick * @throws IllegalArgumentException if the requested loop point cannot be * set, usually because it falls outside the sequence's duration or * because the ending point is before the starting point * @see #setLoopStartPoint * @see #setLoopCount * @see #getLoopEndPoint * @see #start * @since 1.5 */ void setLoopEndPoint(long tick); /** * Obtains the end position of the loop, in MIDI ticks. * * @return the end position of the loop, in MIDI ticks (zero-based), or -1 * to indicate the end of the sequence * @see #setLoopEndPoint * @since 1.5 */ long getLoopEndPoint(); /** * Sets the number of repetitions of the loop for playback. When the * playback position reaches the loop end point, it will loop back to the * loop start point {@code count} times, after which playback will continue * to play to the end of the sequence. *
* If the current position when this method is invoked is greater than the * loop end point, playback continues to the end of the sequence without * looping, unless the loop end point is changed subsequently. *
* A {@code count} value of 0 disables looping: playback will continue at * the loop end point, and it will not loop back to the loop start point. * This is a sequencer's default. *
* If playback is stopped during looping, the current loop status is * cleared; subsequent start requests are not affected by an interrupted * loop operation. * * @param count the number of times playback should loop back from the * loop's end position to the loop's start position, or * {@link #LOOP_CONTINUOUSLY} to indicate that looping should * continue until interrupted * @throws IllegalArgumentException if {@code count} is negative and not * equal to {@link #LOOP_CONTINUOUSLY} * @see #setLoopStartPoint * @see #setLoopEndPoint * @see #getLoopCount * @see #start * @since 1.5 */ void setLoopCount(int count); /** * Obtains the number of repetitions for playback. * * @return the number of loops after which playback plays to the end of the * sequence * @see #setLoopCount * @see #start * @since 1.5 */ int getLoopCount(); /** * A {@code SyncMode} object represents one of the ways in which a MIDI * sequencer's notion of time can be synchronized with a master or slave * device. If the sequencer is being synchronized to a master, the sequencer * revises its current time in response to messages from the master. If the * sequencer has a slave, the sequencer similarly sends messages to control * the slave's timing. *
* There are three predefined modes that specify possible masters for a * sequencer: {@code INTERNAL_CLOCK}, {@code MIDI_SYNC}, and * {@code MIDI_TIME_CODE}. The latter two work if the sequencer receives * MIDI messages from another device. In these two modes, the sequencer's * time gets reset based on system real-time timing clock messages or MIDI * time code (MTC) messages, respectively. These two modes can also be used * as slave modes, in which case the sequencer sends the corresponding types * of MIDI messages to its receiver (whether or not the sequencer is also * receiving them from a master). A fourth mode, {@code NO_SYNC}, is used to * indicate that the sequencer should not control its receiver's timing. * * @see Sequencer#setMasterSyncMode(SyncMode) * @see Sequencer#setSlaveSyncMode(SyncMode) */ class SyncMode { /** * Synchronization mode name. */ private final String name; /** * Constructs a synchronization mode. * * @param name name of the synchronization mode */ protected SyncMode(String name) { this.name = name; } /** * Determines whether two objects are equal. Returns {@code true} if the * objects are identical. * * @param obj the reference object with which to compare * @return {@code true} if this object is the same as the {@code obj} * argument, {@code false} otherwise */ @Override public final boolean equals(Object obj) { return super.equals(obj); } /** * Finalizes the hashcode method. */ @Override public final int hashCode() { return super.hashCode(); } /** * Provides this synchronization mode's name as the string * representation of the mode. * * @return the name of this synchronization mode */ @Override public final String toString() { return name; } /** * A master synchronization mode that makes the sequencer get its timing * information from its internal clock. This is not a legal slave sync * mode. */ public static final SyncMode INTERNAL_CLOCK = new SyncMode("Internal Clock"); /** * A master or slave synchronization mode that specifies the use of MIDI * clock messages. If this mode is used as the master sync mode, the * sequencer gets its timing information from system real-time MIDI * clock messages. This mode only applies as the master sync mode for * sequencers that are also MIDI receivers. If this is the slave sync * mode, the sequencer sends system real-time MIDI clock messages to its * receiver. MIDI clock messages are sent at a rate of 24 per quarter * note. */ public static final SyncMode MIDI_SYNC = new SyncMode("MIDI Sync"); /** * A master or slave synchronization mode that specifies the use of MIDI * Time Code. If this mode is used as the master sync mode, the * sequencer gets its timing information from MIDI Time Code messages. * This mode only applies as the master sync mode to sequencers that are * also MIDI receivers. If this mode is used as the slave sync mode, the * sequencer sends MIDI Time Code messages to its receiver. (See the * MIDI 1.0 Detailed Specification for a description of MIDI Time Code.) */ public static final SyncMode MIDI_TIME_CODE = new SyncMode("MIDI Time Code"); /** * A slave synchronization mode indicating that no timing information * should be sent to the receiver. This is not a legal master sync mode. */ public static final SyncMode NO_SYNC = new SyncMode("No Timing"); } }